"Made Me Glad" Made ME glad.

I will not divulge my list in its entirety, but one of the songs in my "five star" list for a very long time has been Travis Cottrell's arrangement of Made Me Glad. Part of it is the song, part of it is the arrangement, part of it is just that it is fun to play.



I'm still processing our time from Fusion Conference this last weekend. One of my personal highlights was playing "in the band" for Travis and his singers. If you've never heard Travis, he's more than a gifted singer, he's a great leader of worship. More than that, he's great a shepherding a group of worshipers into understanding more about God and declaring truth. He's a real encourager.

One of the other great things about having Travis here is that he brings some really great singers with him. They were all so gracious, putting up with long days, teaching a couple of sessions on vocal techniques, and singing in a Friday night concert and leading Sunday morning services. I think we just about wore them out.

One of his singers was Julie Goss. I've decided I'm a forever-fan. She can sing so passionately and warmly on songs like Revelation Song, but she can also open it up.

She creates the highlight for me in the midst of the weekend's highlight when she lets it rip on Made Me Glad, especially in the chorus return on the key change after the bridge. I couldn't get enough of that every time we played it, and fortunately we did it four or five times this weekend. We could have done it a few more times as far as I'm concerned!

We worked hard at being the best band we could for these talented singers. In some ways, they made it easy. In other ways, I felt at times like I was on the edge because I ceded musical control of my "domain." I normally know what to expect. How many times of this, how to end that, when to start the next thing. In this case, it was a lot more wait and see, or maybe more of "get-ready-to-loop-that" But it all worked out great.

Thanks once again to Travis and the gang (Seth, Nirva, Julie and Lici) for making Fusion weekend such an enjoyable and entertaining one! You guys are talented and humble servants!
Thanks to Alan for the photos!

Harry Connick Jr Concert

We had a great time with Neil and Kimsu at the new Durham Performing Arts Center Wednesday night, taking in a Harry Connick, Jr. holiday show.

It was more than just a holiday show, however, as Connick's two hour-straight performance turned in several classic New Orleans blues, such as Beale Street Blues and St James Infirmary.

As a special bonus, his good friend Branford Marsalis joined him on stage for a couple of tunes. Marsalis is not part of the tour, but since he lives in the Durham area, he was a welcomed and easy addition to a great show!


Here left to right are Connick at the piano, Lucien Barbarin on the trombone, Mark Braud on the trumpet, and Marsalis on the Soprano Sax.

Here are some random things I enjoyed about the concert:

1) the venue. The new "DPAC," as it's called is elegant and state of the art. It seats 2,800 (most or all of which were full) and sounds and looks outstanding.
2) the band. By this I mean the horn players, in addition to a couple of excellent soloists, the horn section was tight, confident, and in perfect sync. There were three trumpet players, three trombone players (including an excellent bass trombone player) and three saxes (tenor, alto/tenor, bari). This was scaled down from the normal big band of 4/4/5. I imagine Connick had to do some revoicing and rearranging to make all that work.
3) the rhythm section was outstanding as well. The bass player in particular was spot on with time and intonation. He and the drummer worked so well to create deep, deep pockets.
4) the intonation. Trumpets in octaves, the band harmonies, and balance were perfect.
5) great time. Everyone knew where the pulse was. Even when Connick intentionally played so far behind the beat on some of those blues tunes. It never slowed. Just a perfect feel.
6) great improvisational solos. No one played a bad solo. Connick's playing is so tasty. Somewhere between his former teacher, Ellis Marsalis and Thelonious Monk--he has a strong blues influence but also plays very percussively and angularly at times.
7) great singing. Connick knows his limits vocally and stays right in his comfort zone--keeping everyone listening in their comfort zone!
8) great entertainment. Part of what made the show so enjoyable was the fact that Connick is great at talking. Plenty of humor and improvisation which was a lot of fun.

If you ever have a chance to see Connick, do it. You won't regret it!