Blogged with Flock
First, the OT idea of doing something skillfully related to music always has to do with performance. The musicians were skillful in the way they played or sang. Never [to my knowledge] is there a mention of the songs played or sung being written skillfully. Yeah, it may be splitting hairs, but isn't it interesting that the text goes out of its way sometimes to describe the skill of the musicians while saying very little about the music itself?
Second, and this may have been thoroughly covered elsewhere in previous discussions, so I apologize for bring it up, but how do we derive a New Testament theology of musical practice from Old Testament descriptions where the New Testament is curiously silent? What are we to conclude about the absolute qualifications of music and musicians from the Jewish/Chosen setting of the Old Testament to the Church/Gentile setting of the comparatively silent (on music) setting of the New Testament?
There's a surprisingly unified sense between young adults, both inside and outside the faith, that the divisive, judgmental authoritarianism that's dominated Evangelical Christianity for the past 30 years has run its course. Furthermore: the "insiders" (as Barna terms Christians) see the same issues and agree with many of the criticisms as those on the outside -- and are openly talking about taking their theology in some new directions. There's an emerging sense that it's time to let go of the harsh legalism that's defined American Protestantism for the past three decades, and return to something more like the Social Gospel that demanded more of Christians than merely passing judgment on the details of other people's lives.