"Made Me Glad" Made ME glad.

I will not divulge my list in its entirety, but one of the songs in my "five star" list for a very long time has been Travis Cottrell's arrangement of Made Me Glad. Part of it is the song, part of it is the arrangement, part of it is just that it is fun to play.



I'm still processing our time from Fusion Conference this last weekend. One of my personal highlights was playing "in the band" for Travis and his singers. If you've never heard Travis, he's more than a gifted singer, he's a great leader of worship. More than that, he's great a shepherding a group of worshipers into understanding more about God and declaring truth. He's a real encourager.

One of the other great things about having Travis here is that he brings some really great singers with him. They were all so gracious, putting up with long days, teaching a couple of sessions on vocal techniques, and singing in a Friday night concert and leading Sunday morning services. I think we just about wore them out.

One of his singers was Julie Goss. I've decided I'm a forever-fan. She can sing so passionately and warmly on songs like Revelation Song, but she can also open it up.

She creates the highlight for me in the midst of the weekend's highlight when she lets it rip on Made Me Glad, especially in the chorus return on the key change after the bridge. I couldn't get enough of that every time we played it, and fortunately we did it four or five times this weekend. We could have done it a few more times as far as I'm concerned!

We worked hard at being the best band we could for these talented singers. In some ways, they made it easy. In other ways, I felt at times like I was on the edge because I ceded musical control of my "domain." I normally know what to expect. How many times of this, how to end that, when to start the next thing. In this case, it was a lot more wait and see, or maybe more of "get-ready-to-loop-that" But it all worked out great.

Thanks once again to Travis and the gang (Seth, Nirva, Julie and Lici) for making Fusion weekend such an enjoyable and entertaining one! You guys are talented and humble servants!
Thanks to Alan for the photos!

Saddleback Conference, Day 4

The final day of the conference was compressed since it more or less ended mid-day with a beach gathering and bonfire at Huntington Beach later that evening. I don't know how well it was attended, and as you would expect on the last day, the attendance began to dwindle as many had to catch flights home.

Emily and I went to Alva Copeland's "Transforming Singers into Outstanding Servants." It was outstanding. Some tidbits from her talk:

• When auditioning vocalists, the first question she asks is, "Did you come to serve?" If you came to sing, this is the wrong ministry!
• We're looking for servants who can sing, not people who are looking to be seen.
• Just like the disciples, sitting around looking at each other wondering "which one is the greatest?" instead striving for
• servant leadership: group of people submitting to each other to achieve something they could not do alone
• The platform is not for personal affirmation--the cross is for that.
• No level of importance is attached to an assignment.
• Nurture the "glad we can be doing something" spirit in the team. Don't ask them to make sacrifices you aren't willing to make.
• Do not allow the pursuit of excellence to foster or fuel a performance mentality (Quest for perfection). Excellence is more about discipline and sacrifice to give something that was costly to you.
• Set aside personal gain, abandon personal agenda.

After her session we went and got a burger at the famous "In N Out Burger" fast food chain. And yes, it was a good burger. I checked out of my hotel room and went back to campus where I explored their new "Refinery" building which is supposed to become their youth hangout facility. The building comes complete with skateboarding ramps,

a little place to buy food and chat with your friends,

an incomplete amphitheater,

a basketball court (behind the windows),

a nice view from the outside stairs going to the 2nd floor

and a game room.

From there, I wandered into the in-progress Deliriou5? concert. I wasn't too interested in hearing them, but I recorded part of their video word-feeding ideas which I thought was clever.

Finally, I met up with The Chapel gang one last time at Laguna Beach where we stood around for a while and tried to figure out where to have dinner.

They left for SNA and I hung out for a while and got some sun-setting pictures before heading off to LAX.

My flight was a 11:55pm departure to Atlanta. It was a four hour flight and I ended up in Atlanta at about 7:00am. I did not sleep well. I think I maybe got a total of two and a half hours. I was real conscientious of the guy next to me for some reason. Anyway, I slept more on the plane on the way from ATL to RDU. I don't remember the take off and when I woke up we were beginning our descent.

It was a great conference--it has been a treat to get to go there because you are surrounded by people just like you. My plea again will be for members of my staff and members of our volunteer team to be able to take it in together. There will be infinitely more musical benefit for us as a ministry and staff than yet another trip to NAB.

Saddleback Conference, Day 3

It is very difficult to articulate the choked up feeling you get when you hear hundreds, really over a thousand voices lifting up worship with a song that is so simple, yet so well written. Such was my experience earlier today with Paul Baloche with his song "Your Name." Baloche as much as anyone seemed to understand and appreciate his audience. He led and was led by the wall of three part sound coming back at him from an enthusiastic crowd. One thing about this conference, it never lacks for worship participation nor enthusiasm. Pictures or video will never do justice, but here are some pictures of the hour we had together,


as well as the "room," completely engaged.


In a short time he encouraged worship teams, worship leaders, and spoke from the vantage point of one who knows exactly how challenging it can be to do what we do, but his words of encouragement from scripture and prayers were challenging and uplifting.

The workshop sessions today were an hour and a half each. The first one I attended was entitled "Church 2.0" which dealt with using 2.o web as an asset to not only connect our congregations and teams, but our communities and the unlimited scope of the internet gives us tools to reach the whole world. There was a lot of great content and the session was taught by Greg Atkinson, who is finishing a book of the session title.

A couple of websites of interest discussed in this session were

• lifechurch.tv
• youversion.com
• programmableweb.com
• Facebook for Pastors

The next session I attended was taught mostly by Carlos Whittaker. He talked about how he used 2.0 tools to manage his team. In particular how he "cheated time" by keeping connected with people and what they're thinking through blogging and Twitter. He said he hardly ever communicates with people by email anymore. He has his team sign up for a twitter account, encourages blogging, has everyone share a del.icio.us account, share their devotional thoughts through youversion, and encourages all of them to be on Facebook so that they have a way of staying in instant and tight contact.


There was a lot of information given in these two sessions and a lot to digest, and a lot ot process practically and philosophically. It was a great day of learning for me and I'm excited to see what kinds of things I can do to implement some of these things for our team.

The evening concerts were big. Big Daddy Weave sang the first hour,

and Kirk Franklin led the second half. Everybody should experience a Franklin concert at least once. It was high-energy but well balanced. Great singers and players-the keyboard harmonies were so cool--someday I'll learn how to play like that! Best quote of the evening from KF "I didn't fly all this way just to do Stomp!"

Saddleback Conference, Day 2

This busy day began with a general worship session, that began with none other than Psalty. If you don't know Psalty, you probably didn't grow up in the 80's. The time ended with a group and pastor from Destiny World Church in Atlanta. They had a lot of energy. I think that is an understatement.

After our break at 10:30, we regrouped in the worship center for a worship concert with Nathan and Christy Nockels. They were great. It sounds like they have a lot going on as they are literally moving from Nashville to Atlanta this week.

The lunch break featured the usual live music around campus. First there was the Saddleback team doing some gospel tunes in a little amphitheater area, then there was the fusion jazz going on in another area. They weren't afraid to run that one loud, and Rick was prepared with ear plugs.

The rest of the afternoon were spent in workshops. The first one I attended was about improving your church's vocal team. Some of it was stuff I had heard before and things I think we practice pretty well, about being on time, being prepared as a leader to help your team be prepared, hedging and confronting pride issues, etc. The workshop ended with Tim Davis showing us how they do their vocal charts. He uses the Nashville number system. As you can see below, this system codifies parts and pitches, but does nothing for rhythms. He dictates the rhythm and then rehearses each part. The numbers represent the scale degrees. We spent some time learning this little tune.

Reasons he mentioned for using this method for their vocal teams: 1) many people can't read music, and those who can, can't read the rhythms anyway 2) he can make the chart quickly 3) he doesn't have to pound out the parts on the piano. In response to my question about transitioning people who are already used to reading notes and rhythms to this system, he responded by saying, in essence, if the team already knows how to read notes and rhythms, then don't move them, and oh, if you can find the charts with the rhythms and parts on it, then great. I think we'll be ok.

The next session I went to was a session on maximizing Ableton Live in your worship services. This was an esoteric workshop that was lightly attended, but helpful, even though it was sponsored by a vendor offering his performance tracks. The tracks they sell are actual studio tracks that are used on regular recordings (Israel, Baloche, Tomlin, etc), so you literally have the guitar, loop, pad, fxs, drum tracks, even backing vocal tracks that you can play (along with click) to fill in the spots you don't have. Pretty slick.

The last session I went to was pretty good, but it was too elementary for my experience. I am not an experienced B3 player, but I was hoping to learn more than what this class offered, which was stuff I already knew. It was nice, however, because it was set up as a lab and we all got to play along and watch what he was doing through his little camera projected on the wall.

The evening concert featured Jadon Lavik, who played and sang all of his songs with just his guitar--no band. He was excellent. Great writer and singer.

The Saddleback team presented an entire arts package, which was also excellent, centered around the American church's complacency regarding social injustices around the world, from human trafficking to AIDS in Africa. My favorite moment of the night was the Selah arrangement, which they did in the weekend services of I Bless Your Name.

After the concert, I went with my Chapel friends to the Cheesecake Factory for fun and, of course, cheescake.

Saddleback Conference, Day 1

The day did not hold a lot of events for us. We really took it easy today, after going to the gym of course! We went to Laguna Beach and ate lunch,

got our toes wet in the Pacific,

and tried to keep from getting knocked over by sudden waves at apparently high tide.

We found The Chapel gang at registration and went in for a concert, featuring Adam Watts, Meredith Andrews and Leeland. Meredith was great. Here is one of her songs.



After the concert, there was some great jazz out on the plaza held together by Tony Guerrero. Here is their performance of Blue Monk. The guitar solo is particularly good.



It's been another late day--meeting time begins at 8:30 and I'm still going to try to get a good leg workout in early in the morning!

Saddleback Worship Conference

I am looking forward to attending my third worship conference at Saddleback Church in Lake Forest, CA. I can't believe it will be my third time going. I originally did not make plans to attend this year because I just went last year. But once I found out my buddies from Akron were going, I decided it was too hard passing up hanging out with them again.

I am leaving RDU Friday morning at 6:00AM. Day one is a personal day, looking forward to visiting with my cousin. I hope to update this blog with my experiences as I attend several services in Orange County and Los Angeles churches over the weekend. Follow me here, on Facebook, Youtube, and of course on Twitter as I constantly update my status with the events and workshops I hope to attend.

If you do anything in church music, either as a staffer at a church or as a volunteer, at a small church or a large church, this is a great conference and I hope you can attend it some time!

This conference looks to be well-connected with my buddy Rich Kirkpatrick already setting up the official worship conference blog. The conference site is here, the macro schedule here, and you can download the individual workshops we have to choose from here.

Sheila and Abe

It's funny how YouTube intuitively links videos from one to the next. I guess it's based on the tagging system. Well, I had posted a video of Tommy Walker doing "To God Be The Glory" for the benefit of our team here and after reading a comment someone had left there, I noticed a link was made to this Abe Laboriel and Friends video below.

This video was made this past summer at the Saddleback worship conference. Not only was I there, but the person who shot this video had have been sitting almost next to me as this was the exact perspective I had on that little mini-concert. Sheila E, who some of you may remember from the 80's, is now following Christ and is playing at the drums. You can see her come down and grab her father out of the crowd to come up and play some of the Latin instruments with her. It's ashame the audio isn't better. We miss all the goodness and deep pockets of Abraham on the bass. It was fun though a little crazy.

Here's a picture I took of Sheila playing her trademark white-with-butterflies latin percussion.

Summer update

I feel like I owe someone a blog post. Truth is, I have so many things I could post about, I don't know where to start. Maybe I'll do the Gary Underwood bullet points to get caught up and go from there.

• We recently returned from a long trip. First a drive to Iowa, where we spent time with Janet's family, here sister in the Waterloo area and her folks 45 minutes away on "the farm." While we were there we celebrated Lindsey's 6th birthday and the Chezik's 50th wedding anniversary. We had a great time!
• We stopped in at the National Farm Toy Museum. An interesting slice of Americana.
• I got to go to a worship conference at Saddleback Church in Orange County, CA. it was great! more on that some other time.
• I visited the Y a couple of times while in CA. I like the Y in Raleigh better.
• On the first night in the OC I skipped early registration and went to an Angels baseball game. They played KC who swept them in the three game series.
• It's humorous to me that in CA, the highways are all qualified by the locals with "the." It's not "take 405 to exit 106," it's "take the 405 to exit 106." I'm gonna start referring to 440 and 540 as "the 440" and "the 540" and see if it catches on.
• At church, I feel like we could do a lot of things better, but I also feel like we do things as well as most churches. I'm mostly referring to music and tech here.
  
• I had the largest pork tenderloin sandwich I had ever eaten at this fair, in IA.
• The Mississippi River begins in Itasca State Park, Minnesota, and flows south 2,350 miles, to the Gulf of Mexico. I learned this at the National Mississippi River Museum and Aquarium, in Dubuque, IA.
• I have become a fan of Hampton Inns.
• Before our trip, we had to spend about $860 in our van, plus get it inspected.
• While returning to Iowa from CA, via DFW, I missed my connecting flight and had to sleep overnight in Ft. Worth. I hooked up with a couple of dangerous characters:
  
  
  
  
• Over the course of many hours of driving, one of the ways I entertained myself was to "read" by audiobook Crime and Punishment. I'm about 1/3 through it.
• Man, was it hard to go to work this morning. The services went well, but it was a lot of work! God works in spite of us.
  

Caesar's Palace - Celine Dion

Celine Dion is not exactly at the top of my list of "singers I push the scan button in my car and hope to hear." Still, she's got pipes and I do like some of her songs. Somehow, DB knows people. I don't ask, he just does. he got us in for a private tour of Caesar's Palace where Celine does her show. The tour was a technical one. It was given by the front of house guy and I think a staging director. This was a very enlightening tour. I enjoyed it very much. What I enjoyed the most was when at the end they played a couple of cuts from her DVD they'll be releasing this fall. They cranked up the system, displayed the unmixed, and unedited show on the big stage screen and I could hardly stand it. The sound was amazing. A 5.1 room with truly enveloping sound. Five million dollars worth of sound system had better sound that good! It did. Her voice was strictly mixed to the center while everything else was left/right/sub and rear channels mostly for delay and fx. We got to see the show later that night. It was very enjoyable. She holds nothing back, and gives it her all. I took a lot of pictures on the tour and I thought I'd share them along with a few comments.

Here's the huge poster outside the theater.


Here's the front of house position. It's a digital board, of course, and it is linked to a Pro Tools rig where sound effects and other tracks are mixed with the live performance. Plus they record many but not all of the shows. This is useful for new musicians and substitute dancers to learn the material without a rehearsal.


Up the stairs and off of stage left is the monitor mixing area. The rack unit in the back is all for Celine's voice. It travels with her. If she sings at the Grammy's or something, it goes with her to keep her sound consistent. It is entirely analog. Behind it is the wireless director. Yes, wireless director. I wasn't allowed to take pictures of that, they don't want the frequencies getting out!


This is a shot of the stage and front of the house seats from just around the corner of the monitor desk.


A picture of the house from the "cheap seats." I believe they cost around $75/show. You can see the Front of House position. We got to sit in the row behind it for the show that night. Those seats were a little more than $75!


Another picture, showing the hight of the room. It seats just over 4000 people. They consistently put over 95% capacity in each night.


Now, walking around the back, here is the a spot and the area where the director and light controls sit.


This is the directors spot. Nothing to fancy but the funny thing about this, and the reason I took the picture is the monitor on the left. It is a static stage view that has sharpie outlines on the screen. The rectangles show where the trap doors on the stage are. This way, they know not to open it until it is clear of a stray dancer.


Now we're on the catwalks. Access to a lot of interesting stuff. Here we're above the stage looking down at the front. We're 90+ feet up!


And another view of the grid. It took a minute for me to feel secure walking around up there!


Up above the stage now, this is a swing that is lowered from way above the stage during a show. There are three of them and three girls descend from the ceiling in the middle of the song, come all the way down to the floor and start swinging. Then they're pulled back up by the end of the song. I'm pretty sure I couldn't do it.


Now we're up a level above the previous pictures. It's dark up here so these pictures aren't the best. What you're seeing is a web of cables that run all the curains and props that open, close, move across the stage, etc. The are attached to....


...these motors. I think they said there were forty of them on each side of the stage.


If you have an event at Caesar's and you want to broadcast or record it, here's where you come and plug in. We're down under the stage now. To our right are load-in doors. The problem is, they made the loading dock too small and obstructed so no one can use these hookups.


And here's the Green Room. It is set up differently for Celine than for Elton John, who does Monday/Tuesday shows, and different again for someone else who may come in. Jerry Seinfeld was coming in soon after we were there. Now THAT would have been fun.


Of course, the Green Room isn't so green...


The door next to the green room houses the brains of the digital FOH board and this Pro Tools recording rig. They record 84 channels. Notice the modified G5 at the bottom.


This is an area back stage where the dancers can practice. Not a lot of room, but they make the best of it. They have exercies and warm up equipment in there too.


What we're looking at here are special effects areas. Not that interesting below stage, but here you can see where stairs and a tree are "stored" before they are "launched" up onto stage.


It's hard to see, but we're under the stage looking at the front seats from the bass player's position. The bass player can view the stage only through the mesh in the steps. In fact, the drummer, guitar players, and keyboard players all play under the stage. They are revealed in the show via a back light so that the audience can see them vaguely through the mesh.

One interesting thing is that the players under the stage cannot see the piano player/conductor, so they're fed his image on a closed-circuit TV. Each player can also tap a switch with his foot and talk with the director or any other musician if there is a problem.


They use "real" drums and electronic drums.


It's hard to tell what this is, but this is an aux perc stage that is cabled to the ceiling. It comes down from above stage during the show, some one plays on it, then it returns back above.


And finally, the hats, with "Dion" labeled in the middle.